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survey_07 — contemporary architects: ten practices

1. Wang Shu — 王澍 (b. 1963, Urumqi; studio Amateur Architecture Studio (Hangzhou))

Architecture made of recycled material and local tradition: broken tiles, brick, bamboo. He builds so that the building reads as a continuation of the hill rather than as an object.

Ningbo Historic Museum, 2008 — a facade of brick salvaged from demolition
Ningbo Historic Museum, 2008 — a facade of brick salvaged from demolitionArchDaily
“瓦园” / Tiled Garden, Venice Biennale, 2006 — an installation by the studio
“瓦园” / Tiled Garden, Venice Biennale, 2006 — an installation by the studioArchDaily
Teahouse and exhibition hall on Tianluoshan, Dongqian Lake, Ningbo — the gallery
Teahouse and exhibition hall on Tianluoshan, Dongqian Lake, Ningbo — the gallerygooood
Teahouse and exhibition hall on Tianluoshan — blocks linked by walkways
Teahouse and exhibition hall on Tianluoshan — blocks linked by walkwaysgooood
Teahouse and exhibition hall on Tianluoshan — blocks set into the terrain
Teahouse and exhibition hall on Tianluoshan — blocks set into the terraingooood

2. Ma Yansong — 马岩松 (b. 1975, Beijing; MAD Architects)

Fluid, "organic" architecture: landscape-buildings with flowing lines, where form matters more than module. One of the first Chinese architects to enter the Western canon without compromising on style.

Shenzhen Bay Culture Square, Shenzhen, 2026
Shenzhen Bay Culture Square, Shenzhen, 2026ArchDaily
Lucas Museum of Narrative Art, Los Angeles
Lucas Museum of Narrative Art, Los AngelesArchDaily
Chaoyang Park Plaza, Beijing — project, 2014 (rendering)
Chaoyang Park Plaza, Beijing — project, 2014 (rendering)gooood
Chaoyang Park Plaza, Beijing — the complex’s atrium
Chaoyang Park Plaza, Beijing — the complex’s atriumgooood
Chaoyang Park Plaza, Beijing — the “city as shanshui” concept
Chaoyang Park Plaza, Beijing — the “city as shanshui” conceptgooood
Chaoyang Park Plaza, Beijing — the glass volumes
Chaoyang Park Plaza, Beijing — the glass volumesgooood

3. Yung Ho Chang — 张永和 (b. 1956, Beijing; Atelier FCJZ)

Graduate: Nanjing Institute of Technology (now Southeast University), 1981

Minimalist, "engineering" architecture: simple volumes, measured proportions, an interest in how a thing is put together. One of the first Chinese architects to work in the West and return to China.

砼器 / Concrete Vessel, Atelier FCJZ — China House Vision, photographed at night
砼器 / Concrete Vessel, Atelier FCJZ — China House Vision, photographed at nightArchDaily
Jishou Art Museum — a bridge-gallery over the river
Jishou Art Museum — a bridge-gallery over the riverArchDaily

4. Liu Jiakun — 刘家琨 (b. 1956, Chengdu; Jiakun Architects)

Architecture of the everyday and of cheap material: reused brick, concrete, local techniques. He works in Chengdu, where the 2008 earthquake set the scale of social tasks.

West Village (西村大院), Chengdu — a roof terrace of stone slabs
West Village (西村大院), Chengdu — a roof terrace of stone slabsDivisare
West Village, Chengdu — the elevated gallery-“street”
West Village, Chengdu — the elevated gallery-“street”Divisare
West Village, Chengdu — the accessible roof and the “sky bridge”
West Village, Chengdu — the accessible roof and the “sky bridge”Divisare
West Village, Chengdu — the light-well courtyard in the evening
West Village, Chengdu — the light-well courtyard in the eveningDivisare
West Village, Chengdu — a lobby with a coffered ceiling
West Village, Chengdu — a lobby with a coffered ceilingDivisare

5. Dong Gong — 董功 (b. 1972; Vector Architects (Beijing))

Graduate: Tsinghua University (BA and MA in architecture); then University of Illinois at Urbana-Champaign

Quiet, contemplative architecture: small structures by the sea and in the mountains, where material and light define the experience. He works with the distance between a person and the landscape.

Captain’s House — retained masonry and a concrete superstructure
Captain’s House — retained masonry and a concrete superstructuregooood
Captain’s House — a vaulted roof with slots
Captain’s House — a vaulted roof with slotsgooood
Seashore Library, Nandaihe — the entrance in the dune
Seashore Library, Nandaihe — the entrance in the dunegooood
Seashore Library — a concrete block on the tide line
Seashore Library — a concrete block on the tide linegooood
Seashore Library — a “viewfinder” opening onto the sea
Seashore Library — a “viewfinder” opening onto the seagooood
Seashore Library — interior, the imprint of formwork boards
Seashore Library — interior, the imprint of formwork boardsgooood
Seashore Library at dusk — porthole windows
Seashore Library at dusk — porthole windowsgooood

6. Li Hu & Huang Wenjing (OPEN Architecture) — 李虎 · 黄文菁 (both b. 1973; OPEN Architecture (Beijing))

Graduate: Tsinghua University / Rice University / Princeton University, 1996

Architecture as a public event: museums, schools, halls where form serves as a script for encounter. Material — concrete, stone, light.

Chapel of Sound — layered concrete
Chapel of Sound — layered concretedesignboom
Chapel of Sound — cantilevered layers of formwork concrete
Chapel of Sound — cantilevered layers of formwork concretedesignboom
Chapel of Sound on a rocky slope
Chapel of Sound on a rocky slopedesignboom
Chapel of Sound — an amphitheatre interior with an oculus
Chapel of Sound — an amphitheatre interior with an oculusdesignboom
Chapel of Sound — tiers along the walls
Chapel of Sound — tiers along the wallsdesignboom
Chapel of Sound — the roof terrace
Chapel of Sound — the roof terracedesignboom
Chapel of Sound — the roof slab above the amphitheatre
Chapel of Sound — the roof slab above the amphitheatredesignboom
Chapel of Sound seen from a stream in a rocky bed
Chapel of Sound seen from a stream in a rocky beddesignboom

7. Zhang Ke — 张轲 (b. 1970; ZAO/standardarchitecture (Beijing))

Graduate: Tsinghua University; Harvard Graduate School of Design, 1996; 1998

Work with the dense Chinese urban fabric: micro-interventions in hutongs, "chamber" museums, material — stone and wood from local buildings.

Micro Yuan’er, Beijing — a siheyuan with a new reading room
Micro Yuan’er, Beijing — a siheyuan with a new reading roomDivisare
Micro Yuan’er — the courtyard and brick steps
Micro Yuan’er — the courtyard and brick stepsDivisare
Micro Yuan’er — the children’s library interior
Micro Yuan’er — the children’s library interiorDivisare
Micro Yuan’er — a courtyard with the retained hutong roofs
Micro Yuan’er — a courtyard with the retained hutong roofsDivisare

8. Zhu Pei — 朱锫 (b. 1962, Beijing; Studio Zhu Pei)

Graduate: Tsinghua University, 1991

Architecture as a continuation of Chinese tradition in contemporary material: vaults, brick, water, light, "natural architecture".

Imperial Kiln Museum, Jingdezhen — a brick arch above the excavation
Imperial Kiln Museum, Jingdezhen — a brick arch above the excavationStudio Zhu Pei
Imperial Kiln Museum — an atrium with barrel vaults
Imperial Kiln Museum — an atrium with barrel vaultsStudio Zhu Pei
Shou County Culture and Art Centre — perforated vaults
Shou County Culture and Art Centre — perforated vaultsStudio Zhu Pei
Imperial Kiln Museum — the vaults at sunset
Imperial Kiln Museum — the vaults at sunsetStudio Zhu Pei

9. Yu Ting — 俞挺 (b. 1972, Shanghai; Wutopia Lab)

Architecture as media and experience: interiors as attractions, bookshops, "fantasies" of metal and light. He works fast, in quantity, and in conversation with mass culture.

Zhongshu Bookstore, Suzhou — yellow perforated metal
Zhongshu Bookstore, Suzhou — yellow perforated metalDivisare
Zhongshu Bookstore — undulating green screens
Zhongshu Bookstore — undulating green screensDivisare
Zhongshu Bookstore — a rainbow-gradient canopy
Zhongshu Bookstore — a rainbow-gradient canopyDivisare
Zhongshu Bookstore — a glowing thread installation
Zhongshu Bookstore — a glowing thread installationDivisare
Zhongshu Bookstore — a pink-red undulating ceiling
Zhongshu Bookstore — a pink-red undulating ceilingDivisare
Zhongshu Bookstore — blue glowing threads and a round shelving unit
Zhongshu Bookstore — blue glowing threads and a round shelving unitDivisare
Zhongshu Bookstore — a white hall with transparent display cases
Zhongshu Bookstore — a white hall with transparent display casesDivisare

10. Liu Yichun — 柳亦春 (b. 1969, Shanghai; Atelier Deshaus)

Strict, structural concrete architecture: long galleries, frames, light. One of the principal authors of the Shanghai museum-factory.

Long Museum, West Bund — a sequence of views
Long Museum, West Bund — a sequence of viewsgooood
Long Museum West Bund — the courtyard under the canopy
Long Museum West Bund — the courtyard under the canopygooood
Long Museum West Bund — concrete “sail” vaults
Long Museum West Bund — concrete “sail” vaultsgooood
West Bund Art Center — the ramp to Coal-Hopper Square
West Bund Art Center — the ramp to Coal-Hopper Squaregooood
Long Museum West Bund — the facade and the gallery beneath the vaults
Long Museum West Bund — the facade and the gallery beneath the vaultsLong Museum
Long Museum West Bund — the coal hopper and the new wing
Long Museum West Bund — the coal hopper and the new winggooood
Long Museum West Bund — the rhythm of arched openings in winter
Long Museum West Bund — the rhythm of arched openings in wintergooood
Long Museum West Bund — the courtyard and the entrance
Long Museum West Bund — the courtyard and the entrancegooood
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